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Laura U. Marks - The Skin of the Film
Laura U. Marks, The Skin of the Film, Duke UP, 2000.
If cinema is an audiovisual medium in nature, why does Laura Marks look for nonaudiovisual sense experience in cinema? Of course, the films and videos she tries to examine are not just the general cinemas but what she calls intercultural cinemas. Why does intercultural cinema… »
CFP: CREATIVE MEDIA
Special issue of Culture Machine vol. 11; http://www.culturemachine.net
edited by Sarah Kember and Joanna Zylinska (both at Goldsmiths,
University of London)
This is a call for papers and non-papers alike. It is open to artists,
intellectuals, writers, philosophers, analysts, scientists, journalists
and media professionals who have something to say about the media that
extends beyond the conventional forms of media analysis…. »
Google refuses South Korean government’s real-name system
Google bypasses internet regulations regarding user protections by limiting YouTube Korea’s Web site functionality
Google’s Korea Unit has decided to refuse South Korean government’s Internet regulations. Based on the Law on Internet Address Management, South Korea implements a “real-name” system, which requires a Web site to confirm users’ personal information such as their real names and… »
The Long and Winding Road: From Road and Rail to Information Superhighway
What can we draw as common issues from Armand Mattelart’s Networking the World:1794-2000 and John Thompson’s “The Media and Modernity” and “The Globalization of Communication”? At first glance, they seem to deal with the history of globalized communication networks in the modern age. While Thompson’s two essays are pieces of overview mostly on global-scale… »
[Korean MBC] Message to the world ‘fight against Control of Speech in Korea’
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var addthis_language = ‘en’;var addthis_options = ‘email, favorites, digg, delicious, myspace, google, facebook, reddit, live,… »
Benjamin - The Work of Art in the Age of Its Technological Reproducibility
Walter Benjamin, The Work of Art in the age of Its Technological Reproducibility, and Other Writings on Media, The Belknap Press of Harvard UP, 2008.
What made the working class not only progressive in accepting new technological reproducibility of the artwork but also distracted or alienated from their lives by the same apparatus of mass production?… »
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